Director: Marcos Carnevale
Cast: Guillermo Francella , Peto Menahem , Martín Seefeld , Norman Briski , Romina Pinto , Laura Fernández , Nicolás Scarpino , Viviana Saccone , Pompeyo Audivert , Matías Santoianni
Plot: After failing to predict a destructive hail storm, a famous meteorologist flees to his hometown and soon finds himself on a journey of self-discovery.
My Movie Review: The movie is saving the best for last but I think it's too late save it cause most viewers might lost interest on how boring all throughout but the end took my breath away! All Hail is spectacular in execution of the hail storm very overwhelming and quite good very believeable I've just wish they put glimpse of it thoughout of the film so that people might be excited and it might worth watching instead focusing in such nonsense drama that hard to deal! TV weatherman Miguel Flores becomes public enemy number one when he fails to predict a terrible hailstorm so he's forced to flee Buenos Aires for his birthplace of Córdoba. The result will be a voyage of rediscovery that is as absurd as it is human- fairly enjoyable picture, which casts the spotlight on cancel culture, personal battles as he struggle to cope up his new reality! The movie solves Miguel's career problems in the laziest way as he happens to find a mystical mysterious man in a bar who can predict the weather with 100% accuracy too silly but that's it:( It's true one mistake does not define you but when it what defines you it's hard to bound back! Although it cannot take away all the other right things done in the past after all we are humans but we cannot completely depend on others cause most people have initial judgement once you make that mistake so prevention come with self awareness and self responsibility after all:)
Critics Reviews: All Hail’s core premise is so deeply flawed, so eye-rollingly implausible, it fatally infects otherwise passable elements of the movie. Hopefully this likable Argentinean comedy doesn't get buried in Netflix's back catalog. All Hail deserves better. Basic, elementary, and excuse the adjective - televisual. The final scenes are dramatic and, ultimately, surprising. That the weather is involved is an infallible forecast. All Hail’s core premise – wanting to stone the weatherman in the public square for one single lousy dumb inaccurate prognostication – is so deeply flawed, so eye-rollingly implausible, it fatally infects otherwise passable elements of the movie. Despite some solid performances resulting in reasonably likable characters, the dopey concept makes their emotions feel bogus. For a while, the film is wholly unpredictable, but not because it’s
suspenseful or original. It adheres to an illogic bordering on nonsense,
as if the filmmakers tried to develop an original idea but didn’t stop to consider
whether this poppycock would yield amusing farce or constant eyerolls. The heart of the movie is a weary old father-daughter reconnection story that struggles to get much traction; the Luis subplot goes nowhere until it lands on the film’s only decent punchline; Miguel ends up meeting an eccentric man who has a more natural, intuitive way of predicting the weather, an anti-science, pro-woo-woo statement that just rubbed me the wrong way. This is big, glossy sitcom stuff, too broad, exaggerated and silly to be palatable. Our Call: SKIP IT. All Hail will leave you very cold!
